Fonds 1475 - Jules Janco (Iuliu Iancu) Fonds

Title and statement of responsibility area

Title proper

Jules Janco (Iuliu Iancu) Fonds

General material designation

  • Textual record
  • Graphic material
  • Moving images
  • Sound recording
  • Architectural drawing
  • Cartographic material

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Fonds

Reference code

CA JPL-A 1475

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • 1829 - 2009 (Creation)
    Creator
    Janco, Jules, 1896 -1985

Physical description area

Physical description

Contains 0.17m of textual records, 254 photographs, 5 strips of negatives, 29 architectural drawings, 1 cartographic record, 10 objects, 6 sound recordings, and 4 moving images.

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1896 -1985)

Biographical history

Jules Janco was born on October 11, 1896 in Bucharest, Romania to an upper-middle class family. Janco’s father, Hermann Zvi Iancu, was a textile merchant who founded an import company called Frații Iancu with his brother Emil. Hermann’s father, Ițic Iancu, built a magnificent house for his son’s family at Str. Gandului 22 in the city’s Jewish Quarter. It was in that very house that Hermann and Rachel (née Juster or Iuster) raised Jules along with his three siblings: Marcel (1895), George (1899), and Lucia (1900).

In his early years, Janco attended a German school; he then attended middle school at a Jewish lyceum, and high school at Lyceul Lazar. The family travelled frequently throughout Europe; mostly to Austria-Hungary, Switzerland, Italy and the Netherlands.

Around 1914, Marcel and Jules received their high school diplomas and, amidst the brewing war in Europe, left Romania for politically-neutral Zurich (to be joined there in 1918 by George). Marcel intended to study architecture while Jules chose to study engineering; but after Jules faced complications entering engineering school, he too opted for architecture and enrolled at the Eidgenössische Technische Hochschule Zürich (ETH) (University of Zurich Federal Institute of Technology).

During this period, Marcel and Jules moved in social circles with many "disciples of the Dada movement," including Tzara, who had also relocated to Zurich, Hans Arp (painter and sculptor), Sophie Tauber (painter), Richard Huelsenbeck (a poet), Hans Richter (a painter and writer), Rudolf von Laban (a choreographer and designer), and Mary Wigman (dancer). The friends would meet regularly at taverns around Zurich including the Meirei, where they would take turns sharing and performing their latest artistic or literary works in a room called Cabaret Voltaire, and for which Marcel and Jules would produce costumes and masks. The brothers became increasingly involved in the movement over the course of their education--arranging festivals and exhibitions, performing in the weekly concerts--while also keeping up with their studies.

In 1919, after graduating from ETH Zürich, Marcel and Jules left Switzerland for France. Jules hoped to find work in Paris, but was eventually offered an architectural position on a post-War reconstruction project in Croix de Bac. Marcel meanwhile found work in Bethune, and married a woman named Micheline.

After roughly three years in northern France, Jules returned to Romania, where Marcel had begun to work as an architect in the office of Iosif Rosintal, and George worked as a railway engineer. By that time, Janco’s parents had sold their family home and moved to a house on a large plot of land owned by Hermann. Jules and George, still young and newly launched in their careers, lived with their parents. Father and sons began to develop the land with a series of duplexes to host an influx of newly-arrived immigrants in Bucharest. Marcel and Jules began to help family members with their architectural needs, and their network of clients expanded steadily.

Initially, Janco designed mostly homes and residential complexes, but as his career progressed, and his expertise grew, he received commissions for larger and more complex projects - many of which he designed and developed with his brother in a firm called Biroul de Studii Moderne.

Marcel and Jules are credited with designing many of the first modernist buildings in Bucharest, the Prahova Valley (just north of Bucharest). The brothers' Bauhaus-inspired collaborations emphasized interior design and urban development, and are said to be inspired by functionalist conceptions popularized by Walter Gropius and Le Corbusier. Janco’s notable projects include Ștrandul Kiseleff, or the Strand, a large sports and recreation complex in central Bucharest (1929); the Bucegi Sanatorium on the outskirts of Predeal, which he designed alongside Marcel, and numerous other projects in Romania, Palestine/Israel and Canada.

Janco married Braila-born Mizzi Packer in 1928, with whom he had one son Stefan Claudiu (Steve Dan), born in 1932. Janco, his wife and young son fled to Palestine in January 1941, and eventually immigrated to Montreal. Jules Janco passed away in Montreal on February 14, 1985.

Custodial history

Scope and content

The fonds contains materials pertaining to the life of Jules Janco, with an emphasis on his architectural career. This includes transcripts, diplomas, and letters of recommendation issued from the architecture school he attended along with his brothers in Switzerland, letterheads and business cards from Janco's professional collaboration with his brother Marcel Janco, professional notes and memos, a number of architectural sketches of homes and buildings in Romania and Palestine, and photographs and brochures pertaining to architectural projects Jules Janco was involved in--most prominently, Ștrandul Kiseleff (the Strand) and the Bucegi Sanatorium. A number of work-related objects, including scissors, a miniature magnifying glass, and spectacles, are also found in the fonds.

Personal records from Janco's childhood and young adulthood in Romania, through to his marriage to Mizzi Packer and emigration to Canada, can also be found in the fonds. This includes birth, marriage, and death certificates, citizenship records and passports, some personal and financial correspondence, and a number of coupon bonds issued to Janco and his father, Hermann Zvi Iancu. A large number of photographs document family trips around Romania and to France; some photographs from Janco's school days, including scenes with peers, are in the fonds.

Some research that Janco's own family members conducted about his life is also contained within the fonds. This includes a map of Bucharest demarcating sites of Janco's projects, a series of VHS tapes in which the audio from an interview with Janco is overlaid onto documentary footage.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

  • Dutch
  • English
  • French
  • German
  • Hebrew
  • Romanian
  • Russian
  • Yiddish

Script of material

    Location of originals

    Availability of other formats

    Restrictions on access

    Terms governing use, reproduction, and publication

    Finding aids

    Generated finding aid

    Associated materials

    Related materials

    Accruals

    Alternative identifier(s)

    Standard number

    Standard number

    Access points

    Subject access points

    Place access points

    Name access points

    Genre access points

    Control area

    Description record identifier

    Institution identifier

    Rules or conventions

    Status

    Level of detail

    Dates of creation, revision and deletion

    This description was created by Processing Archivist Kate Moore on December 8th, 2022.

    Language of description

      Script of description

        Sources

        Accession area