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The bulk of the materials in the fonds relate to Yetta Feldman Chmiel's career as a poetry reciter and performer. This takes the form of newspaper clippings--many of which come from Keneder Adler, and most of which are in Yiddish--which detail her performances and contributions, programmes about particular events, and letters of thanks for her contributions from relevant institutions. Many of the events and performances referenced in the materials are associated with Labour Zionism, Pioneer Women's Organization, and the Jewish Public Library. Additionally, playbills, newspaper clippings, and photographs from several plays Feldman Chmiel partook in at the Segal Centre for Performing Arts (then the Saidye Bronfman Centre) are in the fonds.

The majority of the fonds' material is contained within a single scrapbook, but two files of loose textual records--one containing Feldman Chmiel's own poetry, the other containing mostly correspondence and newspaper clippings--can also be found in the fonds.

Consists of two notebooks filled with Yiddish poetry and stories.

The fonds consists of manuscript and typescript poems, plays, correspondence and sheet music of Solomon Cohen and clippings on Jewish culture and theatre in Canada. Also consists of handwritten plays, poetry and stories in Yiddish, as well as theater programs, tickets, and newspapers clippings.

It includes of six files of textual records and 8 volumes of bound manuscript in various notebooks and account books, primarily in Yiddish.

The fonds contains a number of revised and edited drafts of many of Nelson's poetry compilations, including Family Scandals (1991), Grasping Men's Metaphors (1993), and The Work of Our Hands (1998). The records demonstrate the processes by which Nelson revised her own drafts, shared her revisions with friends and colleagues, and played with formatting and layout.

The fonds also contains some correspondence Nelson exchanged with previous archivists at the Jewish Public Library Archives, programs for addresses given by Nelson and speech notes, and several essays by and about Nelson.

Fonds consists of four series: literary activities, criticisms of her works, biographical information and correspondence. Correspondence consists mainly of in-coming letters and is arranged alphabetically by the sender's last name.

Fonds consists of manuscripts for two of Dr. Pierre Anctil's major translation works: "Poemes Yiddish" by J.I. Segal, translated by Pierre Anctil, and "Nostalie et tristesse : memoires litteraires du Montreal Yiddish" by Sholem Shtern, translated by Pierre Anctil.

Fonds consists of four series: literary work, critical pieces on Gotlib's work, biographical material and correspondence.

Consists of two albums, created by Murray Kay, of both original and copies of photographs taken by Kay. The images are often accompanied by lines composed by Kay and include images of Montreal and Quebec in the 1930s, Kay's time in England with the RCAF, and his eventual move to California. Collection also includes a short story written by Kay entitled, "Man's Spectre" and a book of poetry composed entirely by Kay.

The fonds contains records which attest to Motel Sivak and Chienke Sivak's upbringings in the shtetels of Monastyryshche and Pilvishok (respectively), including photographs, articles, and booklets. A number of records, including photographs, newspaper articles, and correspondence document Chienke and Motel's involvement in the Zionist movement in Montreal, particularly with the Farband Labour Zionist Organization and the Zhitlovsky Branch of the Labour Zionist Farband Movement. Memoirs and transcribed stories pertaining to several of Chienke and Motel's family members can also be found in the fonds, as well as handwritten copies of Chienke's favourite poems and poems of Chienke's own creation. The records culminate in English and Yiddish manuscripts of Motel and Chienke's memoir entitled "Chiekne's Motl and Motl's Chienke: A Twentieth Century Story," as well as a bound copy and Yiddish and English audio recordings of the memoir on cassette.

The fonds contains records related to Moshe Shaffir's career as a productive writer of poetry and essays, with many of his own publications and newspaper clippings present in the fonds. The fonds also contains correspondence, newspaper clippings, manuscripts and ephemera related to the Jewish Public Library, the Association of Bukovina Jews, and other local and global Jewish organizations and Yiddish institutions, all attesting to Shaffir's involvement in the Montreal Jewish community and Yiddish community in the United States, Israel, and Europe. Additionally, letters and newspaper clippings show Shaffir's personal interest in Soviet writers who emigrated to Israel.