Showing 6 results

Fonds consists of watercolour paintings depicting outdoor scenes of Montreal and surrounding area.

1. Black and white aquatic structure, 2016. 13 x 18.5
2. Smoking Flower, 2005. 15 x 17.5
3. Blue Boat, 2010. 18 x 12.5
4. Brown and white rock formation, 2010. 18.5 x 13.5
5. Pink, yellow and orange background with black tree ink, 2014. 12.5 x 27
6. Green mountains with pine trees, Feb. 2014. 29 x 29
7. Green mountains with waterfall, Feb. 2014. 29 x 29.
8. Tree trunk with watering can, Jan. 2012. 30.5 x 30.5
9. Blue and white, ink line drawing of rocks and island, May 2014. 30.5 x 30.5
10. Tree trunk, branches, and evergreens, April 2012. 30 x 30.
11. Metallic leaves, October 2017. 30 x 30.
12. Dark house on mountain, Sept. 2012. 30 x 30.
13. Lake scene, Feb. 2016. 37.5 x 30
14. Beach scene, Jan. 2012. 20 x 26.

Collection consists of 3 etchings on paper accompanied by matching copper etching plates.

This fonds consists largely of records related to the life and works of Herman Heimlich, as well as correspondences with the Jewish Public Library and exhibition invitations.

Fonds consists of 5 folders of material, mainly ephemera and press clippings. Clippings consist of magazine and newpaper articles which report on Muhlstock's life and work, including his passing. Other material include pamphlets, invitations and other ephemera from Muhlstock's exhibits.

The Collection contains, correspondence, research notes, photographs, negatives, museum catalogues, magazines, manuscripts and news clippings related to life and work of Alexander Bercovitch as well as the research and publication of "The Life and Work of Alexander Bercovitch - Artist" by Robert Adams. The material predominently focuses on the years 1987-1988, during which Adams was researching, writing and publishing his book.

The collection contains exhibition books associated with Susan G. Scott's various shows from the 1980s to 1990s, as well as copies of articles and exhibition reviews pertaining to Scott's work, and a comprehensive bibliography and exhibition list of her works.

Additionally, the collection includes a single-edition artist's book comprised of large watercolours and text that were inspired by a 2004 interview Susan G. Scott gave with artist Rita Briansky, illustrating Briansky's move from Poland and her life as an artist. A sketchbook containing notes, sketches, and watercolour paintings associated with the interview can also be found in the collection.