Fonds 1291 - Rita Briansky Fonds

Exterior snapshot, woman and child working in garden behind of the Perlmutter's Economy Store, An... Interior portrait, Rita Briansky and Shirely Interior class portrait. 3rd form students seated in classroom in Iroquois Falls, Ontario. Image ... Interior self-portrait. Rita Briansky shot with painted self-portrait, Parc Avenue, Montreal. Exterior group portrait, Rita Briansky and Joseph Prezament. Rita Briansky in her studio, taken by friend Gaby

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Title proper

Rita Briansky Fonds

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  • Multiple media

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  • Source of title proper: Title of fonds based on the creator.

Level of description

Fonds

Reference code

CA JPL-A 1291

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Issuing jurisdiction and denomination (philatelic)

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Physical description

1.0m of textual documents and other material

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Name of creator

(1925-)

Biographical history

Rita Briansky, painter, printmaker-etcher and teacher, was born in 1925 in Grajewo, Poland. Together with her mother and two sisters, Bella and Becky, the family moved to Ansonville, Ontario in 1929. Here, they joined Briansky's father and uncle, Jake Perlmutter, and his family in Ansonville, which at the time had a small Jewish community. In 1939, the family moved to Val d'Or, Quebec and finally to Montreal in 1941. Then in her mid-teens, Rita Briansky was a keen student who nourished a continued interest in art. With the move to Montreal, the Briansky Family struggled financially and was unable to afford the fee for Rita's high school education. It was the Yiddish poet Ida Maze (Massey) who found Rita a job so she would be able to pay for her schooling. This encouragement served as the beginning of a valuable friendship, as well as helping foster Briansky's artistic career.

Massey later introduced Rita to Alexander Berkowitz who at the time was giving art classes at the St. Urbain Street "Y" Her training and experience quickly expanded, taking the young artist through Montreal's Ecole des Beaux-Arts and New York's Arts Student League. In 1949, Rita married fellow painter, Joseph Prezament. The couple had two children together, Anna and Wendy. Briansky's work has been shown in solo and group exhibitions both in Canada and internationally. Her body of work is diverse in both theme and subject matter, reflecting her interests in fields such as astronomy and the natural world, while remaining deeply rooted in her own experiences.

Following her travels to her birth place and memorial sites in Poland in 1995, Briansky produced the "Kaddish series". as her reflection on the trauma of the Holocaust. Other series have broadly used landscape, portraiture and still life as a passionate response to the world around her and that speak fundamentally to the human condition. Briansky has participated in multiple collaborative projects, for example the children's book "On Stage, Please" with dancer/ choreographer Veronica Tennant. Briansky is long-established within Montreal's art community working and living alongside a tight-knit group of artists. In addition, she has worked as teacher, both of art history and studio arts. Briansky's artistic practice has won her multiple awards and her work is included in the permanent collections of institutions such as the National Gallery in Ottawa, the Winnipeg Art Gallery and the Montreal Museum of Fine Arts.

Custodial history

The material was donated by Rita Briansky in August 2012.

Scope and content

The fonds contains documentation, professional and working materials of Rita Briansky's many projects and works. The fonds consists of textual records, including correspondence, selections of the artist's writing; graphic material, including sketchbooks and photographic documentation of her work; audio recordings of Rita Briansky's interviews and reviews; newspaper clippings, bibliographic reference publications and articles citing the artist's work. In addition to textual material, the Rita Briansky Fonds includes 54 sketchbooks, 255 etchings, 1701 photographs, and 3 audio cassettes.

Notes area

Physical condition

Immediate source of acquisition

Rita Briansky

Arrangement

Textual material in Series 2 through 4 was given an imposed order as no discernable original order could be identified. The graphic material in Series 3, 6 and 7 were vetted for duplicates, though otherwise maintain the order given by the artist.

Language of material

  • English
  • French
  • Yiddish

Script of material

  • Hebrew
  • Latin

Location of originals

Availability of other formats

Selected images from Series 1, 6 and 7 have been digitized and are available to researchers upon request.

Restrictions on access

Privacy restrictions may apply.

Terms governing use, reproduction, and publication

Copyright restrictions may apply.

Finding aids

Detailed finding aid available, file level control.

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Physical storage

  • Shelf: 13-5A - 13-6E
  • Shelf: Bay 15